Deliver Me From Nowhere Trailer: Jeremy Allen White Transforms Into Bruce Springsteen
Ever since the first whisper of a Bruce Springsteen biopic hit entertainment news, fans (myself included) have been on edge for a proper glimpse. And now, finally, the trailer for “Deliver Me From Nowhere” is out, and it’s a whole vibe. I watched it with my morning coffee, waiting for that goosebump moment. It hit around the first strands of “Atlantic City,” Jeremy Allen White barely recognizable under his Springsteen hair, with that quiet intensity only real Boss fans crave.
Here’s the deal: The movie dives right into the chapter of Bruce’s life that nobody really expected to see on screen, the haunted bedroom where “Nebraska” was born. There’s something oddly intimate about seeing Springsteen, already a legend in the making, hunched over a four-track, recording songs about broken men and bad luck, while the world expected him to crank out stadium anthems. The trailer doesn’t shy away from the darkness either. You get flashes of Jeremy Strong as Jon Landau, Bruce’s loyal manager, urging him on. Odessa Young sighs at a kitchen table. Guitars, cassettes, snow falling, sometimes it almost feels like a memory you’ve borrowed from someone else’s life.
Honestly, “Nebraska” was one of those records I didn’t “get” at first. I grew up thinking “Born in the USA” was what Springsteen was all about, but by college, Nebraska’s raw ache started making sense, especially late at night, headphones in, letting the ghosts of the album drift with you. The trailer taps straight into that part of Bruce, the part he wasn’t sure anyone wanted to hear. There’s even a moment, blink and you miss it, where White’s Springsteen laughs, almost sheepishly, at something off camera. That, right there, got me. The guy’s human.
The film’s not just for diehard Boss followers with vinyl shelves and battered denim jackets. It’s a story about trusting your gut when the stakes feel sky-high, about turning inward instead of chasing bright lights. And from what I’ve seen, the writing, the performances, even the cinematography, all feel like a genuine love letter to the strange beauty of feeling lost, then finding your tune anyway. Didn’t expect to get a bit misty before noon, but here we are.
“Deliver Me From Nowhere” hits theaters October 24, and if the trailer is anything to go by, it’s going to stick with people, maybe even long after the credits roll and those first chords of “State Trooper” fade out. Who knows, maybe it’ll remind some of us why we still keep a guitar in the corner, or why certain albums feel like old friends when the world gets too loud.
